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  • 3.00 Credits

    How do some bodies and minds come to be seen as deviant or and others as normal? What makes some subjects worthy of care and others disposable? How have the rubrics of 'health' and 'treatment' historically operated to discipline black and brown bodies? This course approaches narratives of race, disability, and illness through the frameworks of critical disability, critical ethnic, and feminist-of-color studies. It explores how illness, debility, and precarity are produced in and as racial violence. We will consider the categories of health and illness as historical products of medical knowledge and practices, studying the legacies of scientific racism, medical experimentation, and reproductive control. We will also examine contemporary iterations of environmental racism, tracing forms of structural inequality and violence that targets people of color'namely those who are poor and working class, queer and gender non-conforming, women, and (im)migrants. Finally, it asks what legacies of resistance we might find in various forms of art and cultural production, as well as in movements for racial, economic, and disability justice. We will approach these questions through a range of critical essays, novels, poetry, artwork, and community engagement.
  • 3.00 Credits

    Varied topics: See current course listing for offerings each semester.
  • 3.00 Credits

    This course introduces students to, or expands their knowledge in, the field of Disability Studies, particularly examining the intersections amongst disability and gender, race/ethnicity, class, and sexuality. The course explores how bodyminds often considered 'bad' can also be understood as defiant, resistant to conventional understandings of 'normal' identity. We will examine how disabled people have been and continue to be marginalized, but we'll also explore how disability scholars, activists, and artists are remapping how we think about and experience gender, identity, and humanity.
  • 1.00 - 3.00 Credits

    Individual research and/or study on topic(s) of interest to the student under the direction of a faculty member.
  • 1.00 - 6.00 Credits

    Course is to earn credit for undergraduate research experience.
  • 3.00 Credits

    An in-depth investigation of drawing process, to include an emphasis in design, color, and exploration of a wide range of wet and dry media. Prerequisites: "C-" or better in ((ART 2203 AND ART 2204 AND ART 2205 AND ART 2206) OR (ART 2200 AND ART 2250)) AND Minor status in Drawing.
  • 3.00 Credits

    This course enhances the studio fine arts experience by introducing students to experimental mark making and digital drawing. Through a combination of studio-based and lab-based class sessions, students explore the possibilities of mark making through traditional drawing and digital drawing. Within the traditional drawing lab, students learn a variety of drawing approaches using both dry and wet media. Within the digital lab, students learn how to utilize their traditional drawings in a digital application, as well as how to create digital drawings. This combined traditional and digital studio course opens new, creative directions, facilitating the integration of dynamically evolving new media platforms for application in fine arts practice. It is recommended to complete ART1020, ART 2200, ART2250, or ART2205, before taking this course. Prerequisites: "C-" or better in ((ART 2203 AND ART 2204 AND ART 2205 AND ART 2206) OR (ART 2200 AND ART 2250)) AND Minor status in Drawing.
  • 3.00 Credits

    This course is a deep exploration into the architecture of the human anatomy. The live model, skeleton, anatomy book, and flayed cadaver sculpture are all used to explore the form and space of the human figure. Perspective, cubic space, and topography are emphasized as the plastic means of expression. The human figure, rather than an absolute reality, is a continuum or synthesis of various ways of knowing. Prerequisites: "C-" or better in ((ART 2203 AND ART 2204 AND ART 2205 AND ART 2206) OR (ART 2200 AND ART 2250)) AND Minor status in Drawing.
  • 3.00 Credits

    A class designed for non-art and art majors. The class specializes in drawing the human head and hands.
  • 3.00 Credits

    This course will focus on creating installations through the utilization of both traditional and non-traditional approaches to drawing. Throughout the semester a variety of projects will examine contemporary interpretations of drawing and it's uses within the realm of installation art. Prerequisites: 'C-' or better in (((ART 2203 AND ART 2204 AND ART 2205 AND ART 2206) OR (ART 2200 AND ART 2250)) AND Minor status in Drawing) OR Successful completion of Graphic Design first-year advancement