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  • 3.00 Credits

    This course examines the intersections of gender, sexuality and race in the production of social meanings, identities, relations of power and representations in multi-ethnic Caribbean culture. It does this through the examination of scholarly work, literature, media and popular culture (e.g. calypso, dancehall, carnival, punta rock, salsa, chutney, etc.). From an inter- and multidisciplinary and transnational perspective with attention to both the discursive and material, it explores the historical roots and contemporary manifestations of gender, sexuality and race within a diverse and ever-changing Caribbean cultural terrain. It considers how cultural constructions of gender, sexuality and race define the collective and individual identities of Caribbean people. The course also explores how intersecting relations of power between and among, differently identified groups are produced, practiced or performed in areas of the family, spirituality, media and the body.
  • 3.00 Credits

    In this class, we will explore themes and debates related to race, gender, and popular culture. Grounded in the notion that popular culture is a vital realm where meanings about the world are forged, we engage a wide range of perspectives to investigate how various groups of people express identity, resist inequality, and participate in political struggles. We will examine the influence that popular culture has on our daily lives as it is communicated through the Internet, film, music, fashion, television, advertising, and food. At the same time, we will ground these discussions theoretically, considering the major schools of thought that shape critical debates across disciplines. Guiding questions include: What role does popular culture play in our society? Is popular culture created by and for the people? Or is it controlled by elites? How do gender and race shape and/or contest the terms of popular culture?
  • 3.00 Credits

    This course covers American Indian/Indigenous writing from different genres (fiction, poetry, drama). Works and writers are approached in relation to the cultural, social, and historical background from which they emerged. This course is repeatable when topics vary.
  • 3.00 Credits

    Survey of Asian American writing from different genres (fiction, poetry, drama). Works and writers approached in relation to the cultural, social, and historical background from which they emerged.
  • 3.00 Credits

    Varied topics related to Indigenous Women.
  • 3.00 Credits

    In this course, we will explore the ways in which borders are constructed, imposed, and policed in relation to profit,resources, and power.What are borders anyway? We often take borders for granted as natural boundaries between 'us' and 'them.' Going beyond this standard view, we will explore how ideologies of race, racism, gender, and sexuality form the basis for the invention of modern borders and immigration control. We will examine the ways in which migrants themselves bring attention to the economic and political processes which displace them, while at the same time advocating for the right to freedom of movement.While the idea of freedom of movement as a human right has been championed by different actors throughout the last century including as part of the formation of an entity such as the European Union, we will explore the ways in which this right is bestowed unequally with regards to class, race,and social status. Our social conditions, no matter who we are, are thoroughly transnational. Whether we ourselves have crossed borders or not, or been dispossessed by them, whether we buy products produced by labor in other parts of the world, or whether we support family in other countries, we are enmeshed in a deeply unequal global economy. While mainstream approaches to migration erase such inequities and understand it as a problem to be solved, this course approaches migration asa site for creative world-making and social transformation. In this course, we will foreground these questions with particular attention to the stories of migrant youth, both in the United States and transnationally.
  • 3.00 Credits

    Historical, social, and cultural development of La Chicana in the Southwest. Background and traditional roles of La Chicana up to present.
  • 3.00 Credits

    An analysis of the lives and changing status of Asian-immigrant women--past and present, American-born women of Asian ancestry, and their diverse lifestyles in the American socio-economic framework. An examination of women's issues in the context of intergenerational relationships, community pressures, and the influence of the larger community.
  • 3.00 Credits

    Topical/thematic course. Variable content.
  • 1.00 - 3.00 Credits

    Independent in-depth project under direction of faculty. Repeatable for credit, and credits are determined by faculty overseeing Independent Study.